Organ interpretation techniques in the context of learning disabilities
DOI:
https://doi.org/10.17162/au.v11i4.853Keywords:
organ, music, musical technique, art, music education, school.Abstract
The purpose of the study is to identify the features of applying unconventional playing techniques, collate the artistic and technical goals set by composers, and define the aesthetic principles that have determined the application of some accents and techniques, as well as identify the ways of mastering the modern organ repertoire by university and college students. The methods of the study are the analysis of scores (organ sheet music) examined in the culturological aspect and performers' interpretations of musical works. The results of the study are the systematization of the key trends and aesthetic principles in 20th-century music that have brought to life unconventional means and techniques of playing the organ and not only, as well as specific methodological recommendations for performing avant-garde organ opera. Such recommendations may be useful to pedagogues teaching student musicians who perform modern works using various instruments. The novelty of the study consists in the first-ever analysis of modern organ sheet music from the aesthetic and technical standpoints and the definition of performing commentary and recommendations, as well as methodological principles for mastering an avant-garde instrumental repertoire.Downloads
References
Abdugapporov, A. A. (2019). Problemy obucheniya studentov traditsionnomu instrumentalnomu ispolnitelstvu na osnove sovremennykh pedagogicheskikh tekhnologii [Problems of teaching students traditional instrumental performance on the basis of modern pedagogical technologies]. Problemy sovremennoi nauki i obrazovaniya, 8 (141), 63-65. https://cyberleninka.ru/article/n/problemy-obucheniya-studentov-traditsionnomu-instrumentalnomu-ispolnitelstvu-na-osnove-sovremennyh-pedagogicheskih-tehnologiy
Begovatova, M. A. (2012). Sovremennoe ispolnitelstvo na saksofone v aspekte rasshireniya zvukovykh vozmozhnostei instrumenta [Modern saxophone performance in the aspect of expanding the sonic possibilities of the instrument]. [PhD thesis, Kazanskaya gos. Konservatoriya, Kazan]. https://www.dissercat.com/content/sovremennoe-ispolnitelstvo-na-saksofone-v-aspekte-rasshireniya-zvukovykh-vozmozhnostei-instr
Boikova, V. P. (2012). “Rasshirennye” tekhniki igry na violoncheli v XX veke: opyt sistematizatsii [The extended techniques for cello in the 20th century: An attempt of systematization]. Nauchnyi vestnik Moskovskoi konservatorii, 4, 176-201. https://nv.mosconsv.ru/rasshirennyie-tehniki-igryi-na-violoncheli-v-xx-veke-opyit-sistematizatsii/
Forum Klassika. (2008) Survey results: What associations arise with the phrase “organ music”?. Forum Klassika. http://www.forumklassika.ru/showthread.php?t=95482
Gotsdiner, E. M. (2014). Sonorika v sovremennoi organnoi kompozitsii [Sonorism in modern organ composition]. [PhD thesis, Moskovskaya gos. Konservatoriya]. https://www.mosconsv.ru/upload/images/Documents/DiserCand/gotsdiner_ekaterina.pdf
Guerra-López, G. (2017). Musitecture: Musical space, spatial music. sonorous thresholds in time-space intersections. Numanities, Arts and Humanities in Progress, 2, 157-175. https://doi.org/10.1007/978-3-319-47060-3_12
Hwang, S. O. (1987). A study of fourth French organ works from the 17th to the 20th century and a performer’s study of fourth organ sonatas from the 17th to the 20th century: Merula, Bach, Mendelssohn, and Persichetti [Master Thesis Dissertation, Southwestern Baptist Theological Seminary].
Johansen, G. (2013). Music Education and the Role of Comparative Studies in a Globalized World. Philosophy of Music Education Review, 21 (1), 41-51. https://www.jstor.org/stable/10.2979/philmusieducrevi.21.1.41
Kanaev, M. A., & Malakutskaya, S. M. (2014). Formirovanie kompetentsii ispolnitelskogo masterstva muzykanta v protsesse obucheniya igre na osnove keis-metoda [The formation of the competence of the musician's performance during teaching based on the case method]. Obrazovanie i obshchestvo, 4 (87), 38-41. https://www.elibrary.ru/item.asp?id=22257450
Kholopov, Y. N. (2003). Harmony: practical course. Part 2. Moscow, Russia: Muzyka.
Kozlova, G. I. (2014). Nekotorye voprosy organnogo obrazovaniya v Rossii [On organ education in Russia], in book: Galina Kozlova: muzykalnoe prinoshenie. Vospominaniya, stati, materialy [a musical offering. Memories, articles, materials]. Nizhnii Novgorod: Akademiya.
Law, W. & Ho, W. (2009). Globalization, values education, and school music education in China. Journal of Curriculum Studies, 41 (4), 501-520. https://www.tandfonline.com/doi/abs/10.1080/00220270802372329?journalCode=tcus20
Lifanovsky, B. (2020). Results of the survey “Your attitude to concerts after the pandemic”. ClassicalMusicNews. https://www.classicalmusicnews.ru/news/concerts-after-pandemia-survey-results/
Moro, G., McPherson, A. P., & Sandler, M. B. (2017). Dynamic temporal behavior of the keyboard action on the Hammond organ and its perceptual significance. Journal of the Acoustical Society of America, 142 (5), 2808-2822. https://doi.org/10.1121/1.5003796
Muedinov, D. M. (2009). Multifonnaya tekhnika zvukoobrazovaniya na dukhovykh instrumentakh: aspekty istorii i sovremennye poiski novoi tembriki [Multiphones technique of sound production on wind instruments: aspects of history and contemporary search of new timbral patterns]. Vestnik muzykalnoi nauki, 1 (23), 78-85. https://cyberleninka.ru/article/n/multifonnaya-tehnika-zvukoobrazovaniya-na-duhovyh-instrumentah-aspekty-istoriya-i-sovremennye-poiski-novoy-tembriki
Nedospasova, A. P. (2018). Organnye khoralnye prelyudii M. Tariverdieva – muzyka proshlogo, nastoyashchego i budushchego [Organ choral preludes by M. Tariverdiev – the music of the past, the present and the future]. Vestnik muzykalnoi nauki, 2 (20), 68-73. https://cyberleninka.ru/article/n/organnye-horalnye-prelyudii-m-tariverdieva-muzyka-proshlogo-nastoyaschego-i-buduschego
Oertel, C. M., & Richards, A. (2017). Music and materials: Art and science of organ pipe metal. Music and Materials Bulletin, 42 (1), 55-61. https://doi.org/10.1557/mrs.2016.294
Pecheritsa, A. S. (2017). Razvivayushchie formy obucheniya v metodike prepodavaniya muzykalno-teoreticheskikh i muzykalno-istoricheskikh distsiplin [Developing forms of education in the teaching methodology of musical-theoretical and musical-historical disciplines]. Muzykalnoe iskusstvo i obrazovanie v sovremennom sotsiokulturnom prostranstve [Musical art and education in modern socio-cultural space], in: Proceedings of the 2nd International scientific and practical conference. Belgorod: BGI.
Pereverzeva, M. V. (2018). Aleatory music as a composition principle. Saint Petersburg, Russia: Planeta Muzyki.
Pereverzeva, M. V. (2020). John Cage: life, work, aesthetics. Moscow, Russia: Yurait.
Pereverzeva, M. V., Anufrieva, N. I., Avramkova, I. S., Kuznetsova, E. O., & Shcherbakova, A. I. (2020a). Game technologies in the process of mastering theoretical disciplines. Revista Inclusiones, 7 (2), 185-194. http://bkp.revistainclusiones.org/gallery/11%20vol%207%20num%20eabriljunio2020revinclusi.pdf
Pereverzeva, M. V., Ivanova, E. Y., Trifanova, V. P., Anufrieva, N. I., & Anufriev, N. E. (2020). The vector of development of American society in the 21st century: the melting pot or multiculturalism? Revista Inclusiones, 7 (3), 170-179. http://revistainclusiones.org/pdf20/1%20VOL%207%20NUM%20JULIOSEPTIEMBREEE2020REVINCLUSI.pdf
Shulpyakov, O.F. (1986). Muzykalno-ispolnitelskaya tekhnika i khudozhestvennyi obraz [Musical-performing techniques and artistic images]. Leningrad: Muzyka.
Tantsov, O. V. (2005). New flute playing techniques: an anthology. Moscow, Russia: Muzyka.
Tsenova, V. S. (2000). The Numerical Mysteries of Sofia Gubaidulina’s. Music. Moscow, Russia: Kompozitor.
Ursutiu, D., Samoila, C., & Mihoc, P. (2019). Old Musical Instruments and Music Therapy. 2019 5th Experiment at International Conference. Piscataway, New Jersey, USA. http://dx.doi.org/10.1109/EXPAT.2019.8876522
Voinova, M. (2001). Senza dlya altovoy fleyty i organa [Senza for alto flute and organ]. Manuscript.
Voinova, V. M. (2003). Problemy sovremennoi organnoi muzyki [PhD thesis dissertation, Moskovskaya gos. Konservatoriya]. https://www.dissercat.com/content/problemy-sovremennoi-organnoi-muzyki
Waters, S.S. (2014). Sharing global music: preserving the past, preparing for the future, a look at music education in China. Music Educators Journal, 101 (1), 25-27. https://journals.sagepub.com/doi/abs/10.1177/0027432114540262
Westenkuehler, J. (2005). A performer’s analysis of three organ concertos: George Frideric Handel, Josef Rheinberger and Stephen Paulus [Doctoral Thesis Dissertation, Southwestern Baptist Theological Seminary]. https://www.proquest.com/openview/2cca7bc0bb93b8756fdf723982c0e5c9/1?pq-origsite=gscholar&cbl=18750&diss=y
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Pang Bo
This work is licensed under a Creative Commons Attribution 4.0 International License.
- The authors retain their copyright but assign to the journal the right of the first publication, with the work registered under the Creative Commons attribution license, which allows third parties to use the published information as long as they mention the authorship of the work and that it was first published in this journal.
- Authors may make other independent or additional contractual arrangements for non-exclusive distribution of the version of the article published in this journal (eg, include it in an institutional repository or publish it in a book) as long as it clearly indicates that the work was first published in this journal.
- Authors are encouraged and advised to publish their work on the Internet (for example, on institutional or personal pages) before and during the review and publication process, as it can lead to productive exchanges and a greater and faster dissemination of the published work (see The Effect of Open Access).